Sources & Further Reading
Abing, Hannah. 2024. “Report Finds More Music Is Released in a Day
in 2024 Than in All of 1989 Combined.” November 20. https://www.rareformaudio.com/blog/more-music-released-in-a-day-2024-than-1989.
Albanese, Davide, Matthias Balliauw, Alexis
Macedo-Rouet, et al. 2023. “ChoCo: An Ontology and
Knowledge Graph for Musical Chords.” Scientific Data 10
(1): 91. https://doi.org/10.1038/s41597-023-02410-w.
Antal, Daniel. 2019. Slovak Music Industry Report
[Správa o slovenskom hudobnom
priemysle]. 2019. https://doi.org/10.17605/OSF.IO/V3BE9.
———. 2020. Central And Eastern European Music Industry
Report 2020. CEEMID,
Consolidated Independent. https://doi.org/10.13140/RG.2.2.21450.31686.
———. 2021. An Empirical Analysis of Music Streaming Revenues and
Their Distribution. September 23, 2021. https://doi.org/10.5281/zenodo.5249010.
———. 2022. The Music Industry Value Chain. Figshare. https://doi.org/10.6084/m9.figshare.19174310.v1.
———. 2023. Pilot Program for Novel Music Industry Statistical
Indicators in the Slovak Republic. https://doi.org/10.5281/zenodo.10372026.
———. 2024a. “A szlovák adatkicserélési tér magyarországi
föderációjának lehetőségei.” In Az oktatás, a
kutatás és a közgyűjtemények digitális transzformációja felsőfokon :
NETWORKSHOP 2024 : 33. Országos Informatikai Konferencia : 2024. április
3–5. Eszterházy Károly Katolikus Egyetem, Eger, edited by
József Tick, Károly Kokas, and András Holl, 192–98. Budapest: HUNGARNET
Egyesület. https://doi.org/10.31915/NWS.2024.25.
———. 2024b. Building a Music Data Sharing Space with Wikibase.
Version 1.0. Open Music Observatory. https://doi.org/10.5281/zenodo.17078911.
———. 2024c. SKCMBDb: Building the Slovak Comprehensive Music
Database in the Slovak Music Centre. Open Music
Observatory. https://doi.org/10.5281/zenodo.18036465.
———. 2024d. Trustworthy AI and Data-Sharing Spaces for the Slovak
Music Centre. Poster Presentation at the IAMIC Conference 2024 on
November 21, 2024, at Music Austria, Vienna. Open Music
Observatory. https://doi.org/10.5281/zenodo.16540605.
———. 2025a. Music, Heritage, and Policy in the Age of AI.
Version 1.0. Open Music Observatory. https://doi.org/10.5281/zenodo.18076940.
———. 2025b. Open Music Observatory. Version 1.43.
Open Music Observatory. https://doi.org/10.5281/zenodo.17897724.
———. 2025c. SKCMDb. Interoperability of Music Libraries and Archives
with Public and Private Music Services. Presentation at the IAML 2025
Conference in Salzburg, Austria Held on the 7th of July 2025.
Open Music Observatory. https://doi.org/10.5281/zenodo.16634558.
———. 2025d. Slovak Music Data Sharing Space. Poster
Presentation at the IAML 2025 Conference in Salzburg, Austria Held on
the 7th of July 2025. Open Music Observatory. https://doi.org/10.5281/zenodo.15814286.
———. 2025e. Wikibase as a Data Sharing Space: Connecting Rights,
Communities, and GLAM Through Federated Infrastructures. Presentation on
Wikidata Conf 2025. Open Music Observatory. https://doi.org/10.5281/zenodo.17496740.
Antal, Daniel, and Anna Márta Mester. 2025. Open Music
Registers. https://doi.org/10.5281/zenodo.14767717.
Antal, Daniel, Ieva Pigozne, and Asmah Federico. 2025. WikiMuseum =
GLAM Wiki + Wikibase + Data Sharing Space. Finno-Ugric Data
Sharing Space. https://doi.org/10.5281/zenodo.17237793.
Antal, Dániel, Ieva Pigozne, Kata Gábor, and Bogáta Tímár. 2025.
“Federating Open Knowledge Graphs: Finno-Ugric Cultural Heritage
and Semantic Infrastructure Facilitated Through Wikibase
[Preprint].” Proceedings of the Digital Humanities in the
Nordic and Baltic Countries (DHNB) Conference 7.
Artisjus, HDS, SOZA, and Candole Partners. 2014. Measuring and
Reporting Regional Economic
Value Added, National
Income and Employment by the
Music Industry in a Creative
Industries Perspective.
Memorandum of Understanding to
Create a Regional Music
Database to Support Professional
National Reporting, Economic
Valuation and a Regional Music
Study.
BDVA/DAIRO. 2023. Data Sharing Spaces and Interoperability: BDVA
Discussion Paper. BDVA/DAIRO. https://www.bdva.eu.
BDVA/DAIRO Federation Working Group. 2023. Federated Data Spaces:
Position Paper. BDVA/DAIRO. https://www.bdva.eu.
Berardinis, Jacopo de, Valentina Anita Carriero, Nitisha Jain, Nicolas
Lazzari, Albert Meroño-Peñuela, Andrea Poltronieri, and Valentina
Presutti. 2023. “The Polifonia Ontology Network: Building a
Semantic Backbone for Musical Heritage.” In The Semantic Web
– ISWC 2023, edited by Terry R. Payne, Valentina
Presutti, Guilin Qi, María Poveda-Villalón, Giorgos Stoilos, Laura
Hollink, Zoi Kaoudi, Gong Cheng, and Juanzi Li, 302–22. Lecture Notes in
Computer Science. Cham: Springer Nature Switzerland. https://doi.org/10.1007/978-3-031-47243-5_17.
Berardinis, Jacopo de, Lorenzo Porcaro, Albert Meroño-Peñuela, Angelo
Cangelosi, and Tess Buckley. 2025. Towards Responsible AI Music: An
Investigation of Trustworthy Features for Creative Systems. https://arxiv.org/abs/2503.18814.
Bianchini, Carlo, Stefano Bargioni, and Camillo Carlo Pellizzari di San
Girolamo. 2021. “Beyond VIAF Wikidata as a
Complementary Tool for Authority Control in Libraries.”
Information Technology and Libraries 40 (2). https://doi.org/10.6017/ital.v40i2.12959.
Big Data Value Association. 2019. Towards a European Data Sharing
Space: Enabling Data Exchange and Unlocking AI Potential. BDVA. https://www.bdva.eu/sites/default/files/BDVA%20DataSharingSpaces%20PositionPaper%20V1.pdf.
BITSS. 2019. Guidelines for Open Policy Analysis. Berkeley
Initiative for Transparency in the Social Sciences. http://www.bitss.org/wp-content/uploads/2019/03/OPA-Guidelines.pdf.
Blomqvist, Eva, Karl Hammar, and Valentina Presutti. 2016.
“Engineering Ontologies with Patterns – the eXtreme Design Methodology.” In
Ontology Engineering with Ontology Design Patterns, 23–50.
IOS Press. https://doi.org/10.3233/978-1-61499-676-7-23.
Bloomberg, and Boston Consulting Group. 2025. CEO Radar: AI and
Machine Learning References in European Earnings Calls. Bloomberg
L.P.; Boston Consulting Group. https://www.bcg.com/publications/2025/ai-machine-learning-mentions-earnings-calls.
Bodo, Balazs. 2026. “The Political Economy of the Open Music
Metadata Ecosystem—and the Impact of the Spotify Hack.”
Journal of Intellectual Property Law & Practice, April
2026, jpag044. https://doi.org/10.1093/jiplp/jpag044.
Buttow, Carolina V., and Albert Meijer. 2024. “Public Sector Data
Openness in the Crafting of the Data-Driven Society: The Co-Constitutive
Role of Regulation and Innovation.” Swiss Yearbook of
Administrative Sciences 15 (1): 12–27. https://serval.unil.ch/resource/serval:BIB_118FD2F827C6.P002/REF.
Carrara, Wendy, Wae San Chan, Sandra Fisher, and Eva van Steenbergen.
2015. Creating Value Through Open Data. A Study on the Impact of
Re-Use of Public Data Resources. Publications Office of the
European Union. https://data.europa.eu/sites/default/files/edp_creating_value_through_open_data_0.pdf.
Carriero, Valentina Anita, Aldo Gangemi, Maria Letizia Mancinelli,
Andrea Giovanni Nuzzolese, Valentina Presutti, and Chiara Veninata.
2021. “Pattern-Based Design Applied to Cultural Heritage Knowledge
Graphs.” Semantic Web 12 (2): 313–57. https://doi.org/10.3233/SW-200422.
CISAC/SUISA/SESAC. 2017. Mint Digital Services: A Transnational
Licensing Platform. CISAC. https://www.cisac.org/Newsroom/society-news/sesac-and-suisa-launch-mint-digital-services.
Colavizza, Giovanni, Tobias Blanke, Charles Jeurgens, and Julia
Noordegraaf. 2022. “Archives and AI: An Overview of
Current Debates and Future Perspectives.” ACM Journal on
Computing and Cultural Heritage (JOCCH) 15 (1): Article 4, 1–15. https://doi.org/10.1145/3479010.
Commission, European, and Directorate-General for Digital Services.
2017. New European Interoperability Framework. Promoting Seamless
Services and Data Flow for European Public Administrations.
Luxembourg: Publications Office of the European Union. https://ec.europa.eu/isa2/sites/default/files/eif_brochure_final.pdf.
Commission, European, Content Directorate-General for Communications
Networks, and Technology. 2019. Ethics Guidelines for Trustworthy
AI. Publications Office of the European Union. https://doi.org/doi/10.2759/346720.
Commission, European, Sport Directorate-General for Education Youth,
Culture, M Clarke, P Vroonhof, J Snijders, A Le Gall, et al. 2020.
Feasibility Study for the Establishment of a European Music
Observatory : Final Report. Publications Office. https://doi.org/doi/10.2766/9691.
Commission, European, Directorate-General for Research, Innovation, P.
Brunet, L. De Luca, E. Hyvönen, A. Joffres, et al. 2022. Report on a
European Collaborative Cloud for Cultural Heritage – Ex – Ante Impact
Assessment. Publications Office of the European Union. https://doi.org/doi/10.2777/64014.
Cruz, Maria, and Clifford Tatum. 2021. NWO Persistent Identifier
Strategy. Zenodo. https://doi.org/10.5281/zenodo.4674513.
Curry, Edward. 2020. “Dataspaces: Fundamentals, Principles, and
Techniques.” In Real-Time Linked Dataspaces: Enabling Data
Ecosystems for Intelligent Systems, 45–62. Cham: Springer
International Publishing. https://doi.org/10.1007/978-3-030-29665-0_3.
Data Spaces Support Centre. 2025a. “Data Spaces Blueprint V2.0 —
Cross-Data Space Interoperability Considerations in Data Space Design
and Operation.” https://dssc.eu/space/BVE2/1071252241/Cross-data+space+interoperability+considerations+in+data+space+design+and+operation.
———. 2025b. “Data Spaces Blueprint V2.0 — Introduction: Key
Concepts of Data Spaces.” https://dssc.eu/space/BVE2/1071251613/Introduction+-+Key+Concepts+of+Data+Spaces.
DataCite. 2021. DataCite Metadata Schema: Mapping to Dublin
Core. DataCite. https://schema.datacite.org/meta/kernel-4.4/doc/DataCite_DublinCore_Mapping.pdf.
Diefenbach, Dennis, Max De Wilde, and Samantha Alipio. 2021.
“Wikibase as an Infrastructure for Knowledge Graphs: The EU
Knowledge Graph.” In The Semantic Web –
ISWC 2021, 12922:626–42. Lecture Notes in Computer
Science. Cham: Springer. https://doi.org/10.1007/978-3-030-88361-4_37.
Directive (EU) 2019/1024 of the European Parliament and of the
Council of 20 June 2019 on Open Data and the Re-Use of Public Sector
Information. 2019. European Union. https://eur-lex.europa.eu/eli/dir/2019/1024/oj.
EBU, and Gaia-X. 2022. Dataspace for Cultural and Creative
Industries. Position Paper. V.2.0. Gaia-X. https://gaia-x.eu/wp-content/uploads/2022/10/EBU_position-paper_Media-Data-Space.pdf.
ECHOES Ontology Task Force. 2025. Heritage Digital Twin Ontology
(HDTO) – First Draft. Technical Report. Version 0.1. ECHOES
Project / European Collaborative Cloud for Cultural Heritage
(ECCCH). https://github.com/ECHOES-ECCCH/HDTO-Heritage-Digital-Twin-Ontology.
European Commission. 2020. A European Strategy for Data.
European Commission. https://eur-lex.europa.eu/legal-content/EN/TXT/?uri=celex:52020DC0066.
European Commission, Directorate-General for Communications Networks,
Content and Technology, Crowell&Moring, IMC University of Applied
Sciences Krems, Philippe Rixhon Associates, Technopolis Group, and
UCLouvain. 2022. Study on Copyright and New Technologies – Copyright
Data Management and Artificial Intelligence. Publications Office of
the European Union. https://doi.org/doi/10.2759/570559.
European Parliament. 2024. European Parliament Resolution of 17
January 2024 on Cultural Diversity and the Conditions for Authors in the
European Music Streaming Market (2023/2054(INI)). P9_TA(2024)0020.
European Parliament. https://www.europarl.europa.eu/doceo/document/TA-9-2024-0020_EN.pdf.
European Parliament and Council. 2022. “Regulation (EU) 2022/868
of the European Parliament and of the Council of 30 May 2022 on European
Data Governance and Amending Regulation (EU) 2018/1724 (Data Governance
Act).” In Official Journal of the European Union, L 152,
1–44. https://eur-lex.europa.eu/eli/reg/2022/868/oj/eng.
———. 2024. Regulation (EU) 2024/1689 of the European Parliament and
of the Council of 13 June 2024 Laying down Harmonised Rules on
Artificial Intelligence and Amending Regulations (EC) No 300/2008, (EU)
No 167/2013, (EU) No 168/2013, (EU) 2018/858, (EU) 2018/1139 and (EU)
2019/2144 and Directives 2014/90/EU, (EU) 2016/797 and (EU) 2020/1828
(Artificial Intelligence Act). https://eur-lex.europa.eu/eli/reg/2024/1689/oj.
European Parliament, Council of the European Union, and European
Commission. 2025. Draft Joint Declaration “Europe for Culture
– Culture for Europe”. Brussels: European
Commission. https://culture.ec.europa.eu.
European Union Agency for Fundamental Rights. 2020. Getting the
Future Right. Artificial Intelligence and Fundamental Rights.
Luxembourg: Publications Office of the European Union. https://fra.europa.eu/sites/default/files/fra_uploads/fra-2020-artificial-intelligence_en.pdf.
Europeana. 2017. Definition of the Europeana Data Model V5.2.8.
Europeana. https://pro.europeana.eu/files/Europeana_Professional/Share_your_data/Technical_requirements/EDM_Documentation//EDM_Definition_v5.2.8_102017.pdf.
EuroSDR. 2021. Sustainable Open Data Business Models for NMCAs.
EuroSDR Official Survey Report. https://lirias.kuleuven.be/retrieve/696771.
Eurostat. 2023. Culture Statistics — 2023 Edition. Publications
Office of the European Union. https://doi.org/10.2785/537327.
Gangemi, Aldo. 2005. “Ontology Design Patterns for Semantic Web
Content.” In The Semantic Web – ISWC 2005,
edited by Yolanda Gil, Enrico Motta, V. Richard Benjamins, and Mark A.
Musen, 262–76. Lecture Notes in Computer Science. Berlin, Heidelberg:
Springer. https://doi.org/10.1007/11574620_21.
Gartner, Inc. 2024. 2024 Chief Data and Analytics Officer (CDAO)
Survey: Talent, Budgets, and Priorities. Gartner Research. https://www.gartner.com/en/insights/cdao.
Goldenfein, J., and D. Hunter. n.d.
Guest, Olivia, Marcela Suarez, and Iris van Rooij. 2025. Towards
Critical Artificial Intelligence Literacies. Zenodo. https://doi.org/10.5281/zenodo.17786243.
Herremans, Dorien, Bob L. Sturm, et al.
2025. Responsible AI Music (RAIM) Framework. arXiv preprint
arXiv:2503.18814. https://arxiv.org/abs/2503.18814.
Hull, Geoffrey P., Thomas W. Hutchison, Richard Strasser, and Geoffrey
P. Hull. 2011. The Music Business and Recording Industry Delivering
Music in the 21st Century. New York: Routledge.
Huyer, Esther, and Laura van Knippenberg.
2020. The Economic Impact of Open Data. Opportunities for Value
Creation in Europe. Luxembourg: Publications Office of the
European Union. https://doi.org/10.2830/63132.
International ISRC Registration Authority. 2021. International
Standard Recording Code (ISRC) Handbook. 4th Edition.
London: United Kingdom: International ISRC Registration
Authority. https://www.ifpi.org/wp-content/uploads/2021/02/ISRC_Handbook.pdf.
ISO. 2012. International Standard Musical Work Code
(ISNI). ISO 27729:2012. No. 27729.
Version 2012. International Organization for Standardization. https://www.iso.org/standard/44292.html.
———. 2013. ISO 17369:2013(en) Statistical Data and
Metadata Exchange (SDMX). London:United Kingdom: International
Organization for Standardization. https://www.iso.org/obp/ui/en/#iso:std:iso:17369:ed-1:v1:en.
———. 2017a. ISO/IEC 19941:2017(en),
Information Technology — Cloud Computing — Interoperability and
Portability. London:United Kingdom: International Organization for
Standardization. https://www.iso.org/obp/ui/#iso:std:iso-iec:19941:ed-1:v1:en.
———. 2017b. ISO/IEC 5127:2017(en),
Information and Documentation — Foundation and Vocabulary.
London:United Kingdom: International Organization for Standardization.
https://www.iso.org/obp/ui/en/#iso:std:iso:5127:ed-2:v1:en.
———. 2019a. International Standard Recording Code
(ISRC). ISO 3901:2019. No. 3901. Version
2019. International Organization for Standardization. https://www.iso.org/standard/64817.html.
———. 2019b. ISO/IEC 20546:2019 Information
Technology — Big Data — Overview and Vocabulary. London:United
Kingdom: International Standards Organisation. https://www.iso.org/obp/ui/en/#iso:std:iso-iec:20546:ed-1:v1:en.
———. 2020. ISO/IEC 22624:2020(en),
Information Technology — Cloud Computing — Taxonomy Based Data Handling
for Cloud Services. London:United Kingdom: International
Organization for Standardization. https://www.iso.org/obp/ui/en/#iso:std:iso-iec:22624:ed-1:v1:en.
———. 2021. ISO 10957:2021 - Information and
Documentation — International Standard Music Number
(ISMN). No. 10957. Version 2021. International
Organization for Standardization. https://www.iso.org/standard/83122.html.
———. 2022. International Standard Musical Work Code
(ISWC). ISO 15707:2022. No. 15707.
Version 2022. International Organization for Standardization. https://www.iso.org/standard/83125.html.
———. 2023a. ISO/IEC 11179-1:2023(en),
Information Technology — Metadata Registries (MDR) — Part 1:
Framework. London:United Kingdom: International Organization for
Standardization. https://www.iso.org/obp/ui/en/#iso:std:iso-iec:11179:-1:ed-4:v1:en.
———. 2023b. ISO/IEC 2382:2015(en),
Information Technology — Vocabulary. London:United Kingdom:
International Standards Organisation. https://www.iso.org/obp/ui/en/#iso:std:iso-iec:2382:ed-1:v2:en.
ISO/IEC. 2022. Information Technology — Artificial Intelligence —
Concepts and Terminology. ISO/IEC 22989:2022. No.
22989. Version 2022. International Organization for Standardization. https://www.iso.org/standard/74296.html.
———. 2023. Information Technology — Artificial Intelligence —
Management System. ISO/IEC 42001:2023. No. 42001.
Version 2023. International Organization for Standardization. https://www.iso.org/standard/81230.html.
J, Wilson. 2015. Evidence-Based Policy Making in the European
Commission. Edited by Elisabeth Lannoo. Oslo (Norway): CICERO
Centre for International Climate; Environmental Research. http://www.cicero.uio.no/en/posts/news/report-from-science-to-policy-how-to-improve-the-dialogue/.
Jachimczyk, Bartosz, and Katarzyna Nowak. 2024. “Exploring Open
Government Data (OGD) Portals: A Usability Study Across the EU.”
arXiv Preprint, 2024. https://arxiv.org/abs/2406.08774.
Keller, Paul. 2025. Publishing Cultural Heritage Data in the Age of
AI. Policy report. Open Future;
Europeana. https://openfuture.eu/wp-content/uploads/2025/12/251202PublishingCulturalHeritageDataInTheAgeOfAI.pdf.
Kević, Kristijan, Ana Kuveždić Divjak, and Frederika Welle Donker. 2023.
“Benchmarking Geospatial High-Value Data Openness Using GODI Plus
Methodology: A Regional Level Case Study.” Geographies
12 (6): 222. https://doi.org/10.3390/geographies12060222.
Kitzes, Justin, Daniel Turek, and Fatma Deniz, eds. 2018. The
Practice of Reproducible Research: Case Studies and Lessons from the
Data-Intensive Sciences. 1st ed. University of California Press. http://www.practicereproducibleresearch.org/.
Leurdijk, Adnra, and Nieuwenhuis Ottilie. 2012. Statistical,
Ecosystems and Competitiveness
Analysis of the Media and Content
Industries. The Music
Industry. 25277 EN. Edited by Jean Paul Simon.
Luxembourg: Publications Office of the European Union, 2012: Joint
Research Centre Institute for Prospective Technological Studies (IPTS).
https://doi.org/10.2791/796.
Leurdijk, Andra, and Nieuwenhuis Ottilie. 2012. Statistical,
Ecosystems and Competitiveness
Analysis of the Media and Content
Industries. The Music
Industry. 25277 EN. Edited by Jean Paul Simon.
Luxembourg: Publications Office of the European Union, 2012: Joint
Research Centre Institute for Prospective Technological Studies (IPTS).
http://ftp.jrc.es/EURdoc/JRC69816.pdf.
Magnus, Bart, and Olivier Van D’huynslager. 2021.
“Podiumkunstendata Op Wikidata: De Stap Naar Echte Linked Open
Data.” Kunstenpunt / Flanders Arts Institute, February 11. https://www.kunsten.be/nu-in-de-kunsten/podiumkunstendata-op-wikidata-de-stap-naar-echte-linked-open-data/.
Mechanical Licensing Collective. 2021. 2021 Annual Report. https://www.themlc.com/annual-report-2021.
Mikš, Tomáš. 2025. OpenMusE: Towards a Sustainable Licensing Market
for AI Use of Protected Works. April 29–30, 2025. Vilnius,
Lithuania: Slovak Performing; Mechanical Rights Society (SOZA); OpenMusE
Consortium; Presentation at the CISAC European Committee Meeting. https://doi.org/10.5281/zenodo.17944096.
Mikš, Tomáš, and Dániel Antal. 2025. Open Access Music Dataspaces –
Open Music Observatory. Open Music Observatory. https://doi.org/10.5281/zenodo.17669739.
Milosic, Klementina. 2015. “The Failure of the Global Repertoire
Database (GRD).” Hypebot, August 2015. https://www.hypebot.com/hypebot/2015/08/the-failure-of-the-global-repertoire-database-effort-draft.html.
Ministerstvo kultúry SR, and Open Music Europe. 2023.
Memorandum o porozumení o využití výsledkov analýz otvorených
politík v kontexte slovenského kultúrneho a kreatívneho priemyslu a
sektorových verejných politík v spolupráci s konzorciom pre výskum a
inovácie s názvom OpenMuse. [Memorandum of Understanding on utilizing
the Open Policy Analysis results of the OpenMuse Research and Innovation
Consortium in the context of Slovak cultural and creative industries and
sectors’ public policies]. https://www.crz.gov.sk/zmluva/7645338/.
MIT Sloan School of Management. 2025. Project NANDA: Enterprise
Generative AI Value Creation. Massachusetts Institute of
Technology. https://mitsloan.mit.edu.
Music Moves Europe. 2024. Music Ecosystem 2025: Study on the Music
Ecosystem. Publications Office of the European Union. Luxembourg:
European Commission, Directorate-General for Education, Youth, Sport;
Culture. https://doi.org/10.2766/95340.
Nakos, Basil, and Lazaros Tsoulos. 2022. “Web-Based Nautical
Charts Automated Compilation from Open Hydrospatial Data.”
Journal of Navigation 75 (6): 1–19. https://doi.org/10.1017/S0373463322000489.
Open Music Europe. 2023. Open Music Europe
(OpenMusE) – An Open, Scalable, Data-to-Policy Pipeline for European
Music Ecosystems. https://doi.org/10.3030/101095295.
Open Music Europe Consortium. 2023. Open Music Europe User Stories:
OPA-Compliant User Stories for System Competences and Semantic
Architecture. Https://github.com/dataobservatory-eu/open-music-europe-user-stories/.
https://github.com/dataobservatory-eu/open-music-europe-user-stories/.
———. 2025. Policy Brief: An Open, Scalable Data-to-Policy Pipeline
for European Music Ecosystems. EU Horizon Europe Deliverable D5.7.
Open Music Europe Consortium. https://openmuse.eu/.
OpenRefine Community. 2021. OpenRefine Reconciliation API
Standard. https://reconciliation-api.github.io/specs/latest/.
Partanen, Niko, Philippe Rixhon, Karīna Bandere, Jānis Ziediņš, Pawan
Kumar Dutt, Matīss Bolšteins, Matias Frosterus, Mona Lehtinen, Inta
Miklūna-Žukeviča, Deniss Ozerskis, Päivi Maria Pihlaja, Jogita Sauka,
Katerina Sornova, and Aija Uzula. 2025. Interoperable, Trustworthy,
and Machine-Readable Copyright Data in the AI Era: Report of the CITF
First Project. Publications of the Ministry of Education and
Culture, Finland 2025:23. Helsinki: Ministry of Education; Culture,
Finland; National Library of Finland; National Library of Latvia;
Culture Information Systems Centre (Latvia); Tallinn University of
Technology (Estonia); Valunode OÜ. https://julkaisut.valtioneuvosto.fi/.
Partanen, Niko, Philippe Rixhon, Karīna Bandere, Jānis Ziediņš, Pawan
Kumar Dutt, Matīss Bolšteins, Matias Frosterus, Mona Lehtinen, Inta
Miklūna-Žukeviča, Deniss Ozerskis, Päivi Maria Pihlaja, Jogita Sauka,
Katerina Sornova, and Aija Uzu. 2025. Interoperable, Trustworthy,
and Machine-Readable Copyright Data in the AI Era: Report
of the CITF First Project. Research report. Helsinki:
Ministry of Education; Culture. https://urn.fi/URN:ISBN:978-952-415-143-6.
Paskin, Norman. 2006. “Identifier Interoperability: A Report on
Two Recent ISO Activities.” D-Lib Magazine
12 (4): 1–20. https://doi.org/10.1045/april2006-paskin.
Pomerantz, Jeffrey. 2015. Metadata. The MIT Press
Essential Knowledge Series. Cambridge, MA,
USA: MIT Press.
Project, CEDAR. 2023. “A Hitchhiker’s Guide to High Value
Datasets.” https://cedar-heu-project.eu/articles/hitchikers-guide-high-value-datasets.
PRS for Music. 2023. “PRS for Music Expands Pioneering Nexus
Programme.” September 6. https://www.prsformusic.com/press/2023/prs-for-music-expands-pioneering-nexus-programme.
PwC. 2023. Digital IQ 2023: Driving ROI on Digital Investments.
PricewaterhouseCoopers International Limited. https://www.pwc.com/gx/en/industries/technology/digital-iq-survey.html.
———. 2024. 27th Annual Global CEO Survey.
PricewaterhouseCoopers International Limited. https://www.pwc.com/gx/en/ceo-agenda/ceosurvey/2024.html.
Quine, Willard Van Orman. 1968. “Ontological Relativity.”
The Journal of Philosophy 65 (7): 185–212. https://doi.org/10.2307/2024305.
Sardo, Lucia, and Carlo Bianchini. 2022. “Wikidata: A New
Perspective Towards Universal Bibliographic Control.”
JLIS.it : Italian Journal of Library and Information
Science 13 (1): 291–311. https://doi.org/10.4403/jlis.it-12725.
Schnurr, Daniel. 2021. Open Government Data in Digital Markets:
Effects on Innovation, Competition and Societal Benefits. SSRN
Working Paper. https://papers.ssrn.com/sol3/Delivery.cfm?abstractid=3743648.
SEMIC Support Centre. 2023. Wikidata and Wikibase — SEMIC Support
Centre. https://interoperable-europe.ec.europa.eu/collection/semic-support-centre/wikidata-and-wikibase.
Senftleben, Martin, Thomas Margoni, Joost Poort, Kacper Szkalej, and
Etienne Valk. 2024. Policy Brief 1: Music Metadata Mainstreaming and
EU Law. EU Horizon Europe Deliverable D5.6. OpenMusE Consortium. https://www.openmuse.eu/.
Simoni, Marco U., Kristin A. Aasly, and Frode Schjøth. 2021. MINERAL
Intelligence for Europe (Mintell4EU) – Case Study Overview. GeoERA.
https://geoera.eu/wp-content/uploads/2021/10/D4.1-Mintell4EU-Case-Study-Overview.pdf.
Stallmann, Claudia, Koen Deneckere, Ruben Verborgh,
et al. 2023. “MetaBelgica Project: A Linked Data
Infrastructure Between Federal Scientific Institutes in Belgium.”
Proceedings of the 19th Extended Semantic Web Conference (ESWC
2023) (Cham), 2023. https://doi.org/10.1007/978-3-031-33455-9_24.
Teosto. 2024. “New ISNI Identifier Creates Better Opportunities
for International Author Identification.” March 12. https://www.teosto.fi/en/new-isni-identifier-creates-better-opportunities-for-international-author-identification/.
Varghese, Jacob. 2024. “Beyond the Metadata: How Can We Solve the
Black Box Royalty Mystery?” Noctil, August 14. https://independentmusicinsider.com/editorial-articles/4820/.
Virág, Barnabás. 2024. “Our Library’s Music Collection in the Era
of Streaming Services.” Canadian Journal of Information and
Library Science / La Revue Canadienne Des Sciences de l’information Et
de Bibliothéconomie 47 (2): 175–87. https://doi.org/10.5206/cjils-rcsib.v47i2.17436.
W3C. 2013a. PROV-o: The PROV Ontology. Edited by Satya AND
McGuinness Lebo Timothy AND Sahoo. W3C. https://www.w3.org/TR/prov-o/.
———. 2013b. PROV-Overview: An Overview of the PROV Family of
Documents. Edited by Paolo Moreau Luc AND Missier. W3C. https://www.w3.org/TR/prov-overview/.
World Intellectual Property Organization (WIPO). 2023. “Project
Nexus: A Data Matching Project of PRS for Music.”
April 19. https://www.wipo.int/edocs/mdocs/mdocs/en/wipo_webinar_cr_2023_6/wipo_webinar_cr_2023_6_presentation.pdf.